Do these films accurately potray the experience of Palestinians under occupation and/or the experience of Palestinian refugees/expatriates? Do these films accurately potray the experience of Palestinians under occupation and/or the experience of Palestinian refugees/expatriates?

Do these films accurately potray the experience of Palestinians under occupation and/or the experience of Palestinian refugees/expatriates?  Do these films accurately potray the experience of Palestinians under occupation and/or the experience of Palestinian refugees/expatriates?

Do these films accurately potray the experience of Palestinians under occupation and/or the experience of Palestinian refugees/expatriates?

Answer these questions in relation to the films listed below that you must watch. There should be an introduction with a thesis statement, a body, and a conclusion. It should be a minimum of 2500 words this essay. Please remember English is not my first language so don’t use advanced words but please give good arguments. Please use intext citation when citing a source. In addition, give the links of the sources in the reference page. AlsoOne of the book sources you can use is the book called Arab Cinema: History and Cultural identity the new revised edition by Viola Shafik. You must use this book because it is required by the professor. You can find this book online for free. You must have a minimum of 4 sources from journals or books ( FROM GOOGLE Scholar) or any e book that I can have access too. Also, do not Paraphrase just use quotes and explain the quotes. There should be a minimal amount of paraphrase just type in quotes and explain the quotes. (FYI quotes are not included in the word count according to the professor. Thank you and good luck the subject at hand. There should be no or a minimal amount of paraphrasing in this essay don’t forget that because it is very important not to paraphrase just analyze and write basically. Also, look at the professors instructions that i will upload

CHRONICLE OF A DISAPPERANCE
(1997, Elia Sulieman)
DIVINE INTERVENTION
(2003, Elia Sulieman)
THE SYRIAN BRIDE
(2004, Eran Riklis)
PARADISE NOW
(2005), Hany Abu Assad)

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