How do modern art movements break from tradition and reflect new ideas concerning the meaning and making of art

How do modern art movements break from tradition and reflect new ideas concerning the meaning and making of art Order Description How do modern art movements break from tradition and reflect new ideas concerning the meaning and making of art? Discuss the characteristics and basic ideas of three art movements of the 20th century that have broken traditional boundaries. Discuss any factors that influences the development of each movement, such as ideas, people or events. Select one work of art for each movement and comment on how it reflects the ideals of the movement. Humi 16: Arts, Ideas and Values Fall 2014 Final Essay How do modern art movements break from tradition and reflect new ideas concerning the meaning and making of art?  Discuss the characteristics and basic ideas of three art movements of the 20th century that have broken traditional boundaries.  Discuss any factors that influences the development of each movement, such as ideas, people or events.  Select one work of art for each movement and comment on how it reflects the ideals of the movement. Instructions:  Your essay should begin with an introduction and end with a conclusion.  Select examples that best reflect the thesis of your essay.  Select examples listed on your Course Outline.  However, do not select examples that you already discussed in your Museum paper.  Be specific and thorough in your analysis of the each example and if the work is part of a particular art movement, comment upon how reflects the ideals of that movement. Consult both your class notes and textbook readings in Catalyst. Paper Requirements: •    Your paper should be written in essay format with an introduction, body and conclusion. •    Papers should be typewritten, double-spaced with 1 inch margins •    2-3 pages •    Use examples listed on Course Outline. •    Do not select examples discussed in your Museum paper. •    Proofread essay for grammar, spelling and punctuation. •    Submit your essay to turnitin.com  Class ID: 9018752  Password: picasso (lower case) •    Deadline: Thursday, December 11 at 11:00am. •    Grades will be posted in Catalyst. HUMI 16: Arts, Ideas, Values COURSE OUTLINE The following outline corresponds to the lecture material and the course readings, Mark Getlein, Living with Art,  and Gardner’s Art through the Ages.   Selected chapters are available in Catalyst.  Learn the works of art (artist last name and title) terms, artist biographies and styles. LIVING WITH ART Getlein Chapter 1 WORKS TO KNOW: Brancusi, Bird in Space Lin, Vietnam Veterans Memorial Van Gogh, The Starry Night Flack, Wheel of Fortune WHAT IS ART? Getlein Chapter 2 WORKS TO KNOW: Warhol, Thirty are Better than One Monet, Fisherman’s Cottage Weston, Cabbage Leaf Goya, Saturn devouring Children Picasso, Seated Woman Holding a Fan Bourgeois, Woman with Packages Duane Hanson, Housepainter Kandinsky, Swinging Matisse, Piano Lesson Rodin, The Kiss, Antoni, Gnaw THEMES OF ART Getlein Chapter 3 WORKS TO KNOW: Picasso, Guernica Hopper, Gas Rauschenberg, Windward Kahlo, Self-Portrait with Monkeys Rousseau, The Dream Smithson, Spiral Jetty THE VISUAL ELEMENTS Getlein Chapter 4 TERMS: contour lines horizontal lines vertical lines diagonal lines modeling primary colors secondary colors warm colors - Advancing cool colors - Receding monochromatic complimentary colors open palette restricted palette simultaneous contrast divided brushstrokes linear/painterly actual texture visual texture picture plane perspective: Linear and Atmospheric vanishing point WORKS TO KNOW Munch, The Scream van Gogh, Night Cafe Calder, Southern Cross PRINCIPLES OF DESIGN Getlein Chapter 5 TERMS: UNITY and VARIETY SYMMETRICAL BALANCE ASYMMETRICAL BALANCE SCALE and PROPORTION WORKS TO KNOW: O'Keeffe, Deer's Skull Klimt, Death and Life Manet, Bar at the Folies-Bergere Cezanne, Still Life with Pitcher Goya, Execution of the Third of May Oldenburg, Planter Magritte, Delusions of Grandeur Picasso, Girl Before a Mirror SCULPTURE Getlein Chapter 11 TERMS: MODELING - additive CASTING – Hollow or solid CARVING - subtractive ASSEMBLING-additive WORKS TO KNOW: Bourgeois, Maman Smith, Cubi XIII, Rodin, Burghers of Calais Serra, Bellamy Serra, Tilted Arc (Gardner ch 31 p.967) Koons, Pink Panther (Gardner ch 31 p.958) Christo and Jeanne-Claude, The Gates THE MODERNIST ASSAULT: Early 20th C Getlein Chapter 21 and Gardner Chapter 29 FAUVISM 1905-8 Matisse, The Joy of Life Matisse, Red Room Derain, The Dance EXPRESSIONISM Munch, Weeping Nude GERMAN EXPRESSIONISM: 1905-30 Kirchner, Street Berlin Nolde, Saint Mary of Egypt among Sinners Kandinsky, Improvisation 28 Kollwitz, Woman with Dead Child Beckmann, Night CUBISM 1907-20 Picasso, Les Demoiselles d’Avignon George Braque, The Portuguese Picasso, Still-life with Chair-Caning George Braque, Bottle, Newspaper, Pipe and Glass FUTURISM: 1909-14 Boccioni, Unique Forms of Continuity in Space Duchamp, Nude Descending a Staircase De STIJL: 1917-31 Mondrian, Composition with Red, Blue, Yellow INTERNATIONAL STYLE: 1930-1980 Ludwig Mies van der Rohe, Seagram Building THE FREUDIAN REVOLUTION Getlein chapter 21 and Gardner chapter 29 DADA: 1916-24 Arp, Collage Arranged According to Laws of Chance Duchamp, Fountain Duchamp, L.H.O.O.Q. SURREALISM: 1924-30 Miro, Carnival of Harlequin Magritte, The Trechery of Images Dali, Persistence of Memory Khalo, The Two Fridas THE QUEST FOR MEANING Getlein Chapter 21 and Gardner chapter 29 & 30 AMERICAN SCENE: 1930-45 Jacob Lawrence, No. 49 Edward Hopper, Nighthawks Dorothea Lange, Migrant Mother Alexander Calder, Lobster Trap and Fish Tail ABSTRACT EXPRESSIONISM: 1945-1960 Pollock, Lavender Mist de Kooning, Woman COLOR FIELD PAINTING: 1945-60 Rothko, Orange and Yellow Frankenthaler, The Bay ART AND CONSUMER CULTURE Getlein chapter 22 and Gardner chapter 30 POP ART: 1960s Andy Warhol, Marilyn Diptych Jasper Johns, Flag Claes Oldenburg, Clothespin Lichtenstein, Hopeless Rauchenberg, Canyon MINIMALISM: 1960s Ellsworth Kelly, Red, Blue, Green Donald Judd, Untitled PHOTOREALISM/SUPERREALISM: 1970s Don Eddy, New Shoes Chuch Close, Big Self-Portrait Hanson, Supermarket Shopper CONCEPTUAL ART: 1960-70 Kosuth, One and Three Chairs POST-MODERNISM: ART AND SOCIAL CHANGE Getlein chapter 22-23 and Gardner chapter 30 FEMINIST ART: 1970s Judy Chicago, The Dinner Party Alice Neel, Hartley Barbara Kruger, Your Gaze Hits the Side of My Face POSTMODERNISM: 1980s Piano and Rogers, Pompidou Center Graves, Portland Building I.M.Pei, Louvre Pyramid Frank Gehry, Walt Disney Concert Hall, Los Angeles Sherrie Levine, Fountain NEO EXPRESSIONISM: 1980s Anselm Kiefer, To the Unknown Julian Schnabel, The Walk Home Saville, Rosetta SOCIAL ART: RACE and ETHNICITY Jean-Michel Basquait, Horn Players DIGITAL ART 2000 Kenneth Tin-Kin Hung, Gas Zappers GLOBAL CONNECTIONS: 2000 Ghanda Amer, Red ARTISTS Bio: Maya Lin, 8 Van Gogh, 11 Bourgeois, 29 TERMS: representational or naturalistic abstract trompe l’oeil non-representational or non-objective style form content subject matter historical context installation organic/geometric shapes vantage point focal point ARTISTS Bio: Rauschenberg, 62 ARTISTS Bio: O'Keeffe,118 TERMS: assemblage found objects relief sculpture sculpture in the round or freestanding sculpture earthwork installation site-specific installation performance installation kitch kinetic art ARTISTS Bio: Christo and Jeanne-Claude, 260 TERMS: avant-garde expressionism arbitrary colors Die Brucke (The Bridge) Die Blaue Reiter (The Blue Rider) Degenerate Art Kandinsky, Concerning the Spiritual in Art improvisations ARTISTS Bio: Matisse, 481 Picasso, 484 Blue period Rose period analytic cubism synthetic cubism collage Marinetti, Futurist Manifesto Armory Show, 1913 New York Bauhaus 1919-33 TERMS ready-made automatism Sigmund Freud 1856-1939 Andre Breton, Surrealist Manifesto, paranoic-critical method naturalistic vs. biomorphic TERMS: Harlem Renaissance Existentialism Jean-Paul Sartre 1905-1980 New York School Abstract Expressionism action painting/drip painting gestural painting color field painting color staining hard-edge painting ARTISTS Bio Pollock, 498 Warhol, 504 Neel, 510 TERMS: silkscreen postmodern appropriation deconstruction PLACE THIS ORDER OR A SIMILAR ORDER WITH US TODAY AND GET AN AMAZING DISCOUNT :)