Persuasion by Jane Austen; The Wrongs of Woman by Mary Wollstonecraft
1. To what extent, and in what ways, does it change your understanding of Jane Austenâs
fiction to read it alongside the writing of Mary Wollstonecraft? Does it make sense to
think of Austen as a feminist or proto-feminist writer, or would you resist that
description?
2. How far would you defend Austenâs fiction, and on what grounds, against one of the
following objections? You may, if you wish, conduct your argument in a way that
involves comparison and/or contrast with Wollstonecraft.
a. âHer business is not half so much with the human heart as with the human eyes,
mouth, hands and feet; what sees keenly, speaks aptly, moves flexibly, it suits her
to study, but what throbs fast and full, though hidden, what the blood rushes
through, what is the unseen seat of Life and the sentient target of deathâthis Miss
Austen ignoresâ (Charlotte Brontë).
b. â[V]ulgar in tone, sterile in artistic invention, imprisoned in their wretched
conventions of English society, without genius, wit, or knowledge of the world.
Never was life so pinched and narrowâ (Ralph Waldo Emerson).
c. âIt makes me most uncomfortable to see | An English spinster of the middle-class
| Describe the amorous effects of âbrassâ, | Reveal so frankly and with such
sobriety | The economic basis of societyâ (W. H. Auden).
Sample Solution
Jane Austen and Mary Wollstonecraft: Exploring Feminist Perspectives
Jane Austen and Mary Wollstonecraft are two prominent figures in English literature, each known for their distinct contributions to the exploration of women's lives and societal expectations. While Austen's works are often celebrated for their witty social commentary and nuanced portrayal of human relationships, Wollstonecraft's writings are renowned for their passionate advocacy for women's rights and intellectual equality.
Full Answer Section
Reading Austen's novels alongside Wollstonecraft's essays and philosophical treatises offers a compelling avenue for examining the complexities of female experience in 18th-century England. By juxtaposing these two authors' perspectives, we gain a deeper understanding of the various ways in which women navigated gender roles, social constraints, and personal aspirations within the confines of their time. Austen's fiction, while seemingly confined to the domestic sphere of marriage and societal norms, subtly subverts these constraints by revealing the underlying power dynamics and emotional complexities that shape women's lives. Her characters, often intelligent and observant, demonstrate an awareness of their limited options and the societal pressures they face. Yet, they also exhibit agency and resilience, finding ways to assert their individuality and pursue happiness within the framework of their circumstances. Wollstonecraft's writings, on the other hand, provide a direct and forceful critique of the patriarchal structures that limited women's opportunities and denied them fundamental rights. She argues for women's intellectual equality, asserting that they possess the same capacity for reason and moral judgment as men. Wollstonecraft advocates for education and social reforms that would allow women to fully participate in society and achieve personal fulfillment. Comparing Austen's and Wollstonecraft's approaches to feminism reveals their complementary contributions to the discourse on women's roles. While Austen subtly exposes the limitations imposed upon women within a patriarchal society, Wollstonecraft openly challenges these limitations and calls for radical social change. Austen's works can be considered proto-feminist in that they subtly undermine the prevailing ideals of female passivity and subservience. Her characters, despite acknowledging societal expectations, often demonstrate strength, wit, and independence, subtly challenging the gender norms of their time. However, it is important to recognize that Austen's primary focus is on social commentary and the intricacies of human relationships, rather than explicit feminist activism. She does not challenge the fundamental structure of society or advocate for radical social reforms. Her emphasis on marriage and societal conventions reflects the realities of women's lives in 18th-century England. Despite her seemingly conventional themes, Austen's novels offer a profound critique of the gender dynamics and societal constraints that shaped women's lives. Her characters, despite their limited options, exhibit agency and resilience, subtly challenging the expectations placed upon them. In response to Charlotte Brontë's criticism that Austen ignores the depths of human emotion, one can argue that Austen's subtle approach to emotional expression reflects the social norms and expectations of her time. Women were often expected to suppress their emotions and adhere to societal proprieties. Austen's ability to convey profound emotions within the confines of these expectations demonstrates her skill as a writer. Ralph Waldo Emerson's accusation that Austen's works are "vulgar in tone," "sterile in artistic invention," and "imprisoned in their wretched conventions of English society" fails to recognize the subtlety and nuance of her writing. Austen's social commentary is sharp and insightful, her characters are complex and believable, and her exploration of human relationships is profound.- H. Auden's discomfort with Austen's frank portrayal of the economic basis of society reflects the changing attitudes towards social realism in literature. While Austen's realism may be jarring to some, it also contributes to the depth and authenticity of her novels. She does not shy away from uncomfortable truths, but rather exposes the realities of her time, including the influence of wealth and social status on human relationships.