Description: write all the details what happen on each topic that list on A,B,C,D,E for each topic in bullet point

1. Abstractions I: Kinetic Art, 1955-1967
a. The exhibition Le Mouvement (1955) & motion/emotion ?
b. Modernist painting & “presentness” (Fried) ?
c. Minimalism and the duration of experience ?
d. Two models of “theatricality” (Krauss) ?
2. Abstractions II: Neo-Concrete Art
a. Neo-Concrete art as “rejoinder” (Brett) ?
b. The “rationalism” of Concrete art (Max Bill) ?
c. The “Non-Object” (Gullar) ?
d. Lygia Clark, An Uncommon Beast, 1963 & Trailing, 1964 ?
e. Helio Oiticica, Bólides, 1963-69 ?
3. Process and Material I: Postminimalism
a. Postminimalism (defined in Live in your Head & Anti-Illusion exhibitions) ?
b. Richard Serra, Gutter Corner Splash: Night Shift, 1969/1995. ?
c. Robert Morris, Untitled, 1969 ?
d. Eva Hesse, Addendum, 1967 & No Title, 1969-70 ?
e. Shelia Hicks, The Principle Wife Goes On, 1969. ?
f. Fiber Art and the hierarchy between art & craft (Auther) ?
4. Process and Material II: Mono-Ha and Tansaekhwa
a. The “practice of the world (sekai)” (Kee) ?
b. “Chaotic Input” (Chomsky) ?
c. “Simultaneity” & the “interconnectedness of things” (Ha Chonghyun) ?
d. Tansaekhwa & Five Korean Artists, Five Kinds of White, Tokyo Gallery ?(1975) ?
e. Mono-Ha & “non-art” ?
f. Lee Ufan, Relatum, 1971 ?
g. The “Death of the Author” (Barthes) ?
h. Lee Ufan, From Line, 1973 & From Point, 1977 ?
5. The End of History? I: Multiculturalism circa 1993
a. The “End of History” (Fukuyama) ?
b. Daniel Martinez, I Can’t Imagine Ever Wanting to Be White, 1993 ?
c. Glenn Ligon, Untitled, 1990 ?
d. Byron Kim, Synecdoche, 1991-present ?
e. “Identity politics” and the 1993 Whitney Biennial ?
6. The End of History? II: The Global Rise of ‘Biennial Culture’
a. Les Magiciens de la terre, Centre Pompidou (1989) ?
b. Globalization (Jameson) ?
c. Biennials as engagement with vs. symptom of globalization ?
d. “Transnational transculturalism” (Kapur, pg. 183) ?
e. Comparative art history (Kwon) ?